Stars: Alexa, Katia Love, Lea de Mae, Silvia Saint.Directed by: Antonio AdamoThe wafer thin plot of a writer, (Saint) seeking to up her sales isn't even really a factor. As with most porn productions, the plot is usually in the way of the sex and is complimented by bad acting. Sometimes however it does add to the intensity of the sex scenes. The girls look fantastic, the scenes have the actual girls moaning (instead of Private dubbing it over as in most cases!), it looks like a thousand bucks and the guys aren't the 'off putting' dirty old men type. A problem with Adamo films is the sexual heat. Scenes can often look loveless and sterile, and basically without feeling. Some of that is present within this movie, but not enough to block the progress of the film. Adamo's style may also need getting used to as it is very arty. Scenes are cut together from one sexual position to another with a brief black and white recap of the previous shots, and a recap of all positions before the cumshot. It can be progressively irritating when the scenes are not of a certain standard as with Call Girl, but that is not the case here. The first scene is Silvia and her boyfriend on the couch. Silvia looks totally amazing in this film, even if her english isn't so believable. Next we have Lea De Mae in a hot dress with one guy in a bedroom, also a very sexy scene. Multi angle scene. Then there is Silvia masturbating, before a bit of story, then to a couples scene outside. Next we have Silvia and Lea with two guys on a boat which is a really good scene. Then the orgy type scene in a club, which could have used the multi angle here, a camera for each couple. Finally we have Katja Love, a wig and two guys. Katja remains with an emotionless face throughout which wasn't too enticing. Blah blah blah, devil, to be continued. Themes included, interracial, DP, straight, oral tit fuck, anal and facials. The extras have a preview of the second film, a trailer for this film, as well as four others. A photo book, behind the scenes thingy, cast, and production notes. The bottom line is you won't see a better film from the year 2000. |
